Bach Bibliography Search Result

Series : BachStud
Volume : 1
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Aria forms in the Cantatas from Bach's first Leipzig Jahrgang.	BachStud	1		1989	36-53
	2.	Bach in the eighteenth century.	BachStud	1		1989	281-296
	3.	Bach's parody technique and its frontiers.	BachStud	1		1989	115-124
	4.	Bach Studies. [1]	BachStud	1		1989	362p
	5.	Expressivity in the accompanied recitatives of Bach's cantatas.	BachStud	1		1989	18-35
	6.	French overture conventions in the hands of the young Bach and Handel.	BachStud	1		1989	183-193
	7.	On the origin of Bach's Magnificat: a Lutheran composer's challenge.	BachStud	1		1989	3-17
	8.	Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021).	BachStud	1		1989	240-278
	9.	The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800.	ContextBachStud	1		2006	xxiv, 371p
	10.	The four conceptual stages of the Fugue in C Minor, WTC I.	BachStud	1		1989	197-224
	11.	The genesis of the Prelude in C Major, BWV 870.	BachStud	1		1989	225-239
	12.	The human side of the American Bach sources.	BachStud	1		1989	323-350
	13.	The regulative and generative roles of verse in Bach's 'thematic' invention.	BachStud	1		1989	54-74
	14.	The St John Passion: theology and musical structure.	BachStud	1		1989	75-112
	15.	'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903.	BachStud	1		1989	160-182
	16.	Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work.	BachStud	1		1989	125-159
	17.	Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach.	BachStud	1		1989	297-322